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Since there are so many networking sites on the Internet nowadays, more and more people accidentally developed a love for photography. May be short for high-angle photos of themselves or artistic shots that he took while on vacation, there are certainly a lot of people have now come into stock.

And what is their weapon of choice? A kick-ass digital SLR camera of course!

It is no secret that photography equipment tripoduber cool ring flash can really make a dent in a wallet. Fortunately, there are even more affordable high-quality opportunities in the market today. Popular brands of photographic equipment, Canon, Olympus, Pentax, Sony and Nikon. While all these brands, which offer high-quality digital SLR camera, many of whom were smart enough to produce requirements for different versions of the popular digital SLR, and wants to ensure that the most professional applicationsThe photographers, young and enthusiastic novices.

For the affordable and definitely value for money and most digital SLR kits, offers a wide range of Nikon digital SLR cameras, the $ 500 can be purchased for less. As you can probably guest decent prices in camera shops, you should verify that you want from the shops to ensure that online auctions to make sure that what you get is the best in town.

Other things that should amateur photographersShopping for his photographic equipment are decent like a nice tripod stable yet flexible enough to be used for different angles. However, do not acknowledge that the photo equipment in any case very expensive, mainly due to the effects created beautiful ring flash for photos. Makes the issue rather – and more subtle. If you want an affordable device scores a deal to secure an extra camera for your digital SLR, you can choose from various places, particularlyPhotography and flea markets, trying to see if you can score a good piece of material used.

There is absolutely nothing wrong to have a second camera in the hand check as some warning signs that a device to know not in good condition. Another good idea is to look for professional photographers or photo studios to see if they plan to have all their old equipment to make room for anything new. However, while the store owner, would not just hand you their old equipment, you can still probably score a lot about their second hand equipment. If you ever feel doubt about what you buy, do not rush to offer. Try a night's sleep for a little 'about it or research the product online or simply ask a person responsible for any advice.

Since you're an amateur photographer, then you need to know a lot of other people involved in photographic equipment and used> Camera Accessories Digital SLR, certainly do not have trouble getting your friends to help.

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If you're looking to trade or from the point and shoot camera, although it is possible to study photography in college or school this year are the chances that you need a digital SLR camera, but there are so many to choose from, that can make choosing a bit 'daunting, so I wrote this book. Here is a list of three cameras, best entry level DSLR ideal for learning the art of photography.

Sony Alpha 290 (A290)

When II started in photography as well not know what to get the camera, but after hours and hours of research I have reduced to a Sony Alpha 290, or up to two cameras. The Sony is an excellent camera for anyone starting in the DSLR world. It has a 14.2-megapixel sensor and something inside called Steady Shot. This Steady Shot, you can take pictures at shutter speeds and reduces camera shake to help themselves in low light conditionsSituations.

The A290 can shoot up to ISO 3200, which is higher than the other two cameras, however, in this setting, the picture quality is not the best and it seems pretty strong. But, as I always say, a noisy image is better than a blurry one.

If you have never owned an SLR, this could start before the perfect place to be.

Nikon D3000

The next camera in this line-up is the Nikon D3000, and I love this camera. If it were not for this cameraIt would have been unlikely to be involved in the photograph, they said that I chose not to start the camera, which may seem strange.

The D3000 is an excellent driving mode, the settings, which use in different situations, says that this is a great idea and helped me a lot.

The D3000 has fewer megapixels Sony, and arrives at 10.2 megapixels, but to be honest, if the edited images, go to the shooting down to size and place in whichSide of a bus then a 14-megapixel camera and a 6-megapixel camera, there is not much difference.

The Nikon has incorporated the technology to reduce camera shake, but you can buy this technology with Nikon lenses, but it costs a bit 'more. Overall, the Nikon is an excellent entry-level model for the beginner photographer.

Canon 1000D (Rebel XS)

The Canon EOS 1000D or Rebel, as I believe it is called in the U.S., is the lightestCanon digital SLR camera built to date do not you think, this is an advantage, but when you go out with a simple point and shoot camera to a DSLR is quite a difference and a lighter camera helps a lot. The 1000D has 7 autofocus points, with a normal-sized 2.5-inch LCD on the back.

Of the three cameras that 1000D has the lowest number of megapixels to 10.1 megapixels and goes, but in reality there is no way to be a between.1 megapixel difference and I seehighly doubt it's really much difference between these three cameras.

The Canon EOS 1000D is the camera I started with, first, and I liked it at all. The reason why I chose the Canon because the top of the cameras has been to build quality, feels sturdy and well built, in which Sony wanted to cheap plastic and so is the Nikon up to a degree.
If you are looking for a perfect start to DSLR photography, look no further than the Canon1000D.

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The best digital SLR camera can be seen everywhere. There are shops where the cameras, as in the diversity and quality, color and size to be sold. The cameras offer a wide range of functions, and every second from the first. In the end, the choice should be influenced by photography needs. This should be given priority over everything else. The type of photography that is usually practiced, the atmosphere, where you make it and take the kind of movementshould be the guiding criteria behind your choice. This should dictate the game, where you lay eyes on.

There are a lot of genres, specializing in photography. All of them are very different from each other. The needs are different, and finally the camera and lenses vary accordingly. Lenses vary with different kinds. Action and sports are a genre. There are a lot of movement. The camera, which should buy you rent or take pictures that are in constant goodMovement. Any leak could be embarrassing. Would be reduced to pay for the effort behind the rent digital lens. You might also regret the camera you choose to do this kind of photography.

nature photography can be very challenging. The animals are constantly moving. You can see snakes slithering around the strip. Rabbits and monkeys hanging from branches to run the race of his life in hiding. All this activity is chaotic SLR camera are captured by a digital camera good. PerfectLens with a capacity of recording images media has impeccable aim well. The lens is in a position on the object's movement and with a click track, then the object is in a photo in the same position in which the photographer did.

Portraits have a hidden subtlety. The records are thick, immobile and frozen. Even then, not to take most of the targets for the right time. This expression has a fraction of a second or even captured, could slip away. The digital SLR cameraRent paid by digital lens rental should be good and not escape capture those precious moments can. landscape photography can be done only if the camera you have a good digital SLR. The beauty of nature, can not close if you have the right camera in hand to be heard. It can be purchased at a good target for rent digitally.

These attributes determine whether what you have is good or not. These characteristics determine whether you receive for the useThe photos of your choice or not. These virtues give the final verdict on the usefulness of the lens Florida Rentals, a photographer who will pay for the purchase of camera and lenses. If these properties can be found in the camera to happen, then there is no reason why it would be best to do well. Buy it and enjoy your purchase.

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After a deep knowledge of digital SLR light meter is very important to achieve precise and consistent shots. Measuring this is what the camera determines the shutter speed and aperture, and is usually the lighting and ISO speed. Options include center-weighted metering area, evaluation, matrix, and partial and spot metering. Each of these options is usually light, which allows them to Excel or. Fail As well with these tools with the insight that we know how it works and lighting that helps the camera is set up, trying to make this tutorial.

For an accurate reflection of exposure to the topic, well, SLR camera, the digital measurement with options. They work by ensuring that the regions of light are well covered. Higher weight is very reliable and is therefore considered appropriate to calculate the final exposure.

L 'white regions contribute greatly to the exposure calculation are ignored, while black. It 'important to know if you want to use a portion or spot metering. These two give a photographer more control over the issue of exposure than anything else that is much more difficult to use. Partial and spot metering are useful when one or the image of a relatively small object in the scene will be completely exposed, or to detect whether thisPhotographer knows that this provides a more coherent medium gray.

When it comes to exposure compensation (EC) is the calculation of the dose, the same exception is made for the last settings that are normally offset by the value of CE. manual compensation is possible when you notice that the measurement method consistently over or under expose the subject. The exposure is ideal for correcting measurement errors caused by the camera,Reflectivity of the subject.

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SLR cameras are much appreciated by military photographers because of their exposure resolution, sensitivity and versatility in the field, the availability of a wide range of lenses and because they allow an accurate image preview section of the closure of the moment. Many photographers prefer for digital SLR sensors larger than most compact digital cameras, now with image sensors of the same size as conventional film formats. These sensors enable such largeField of-view film formats as well as their sensitivity values comparable.

Over 80% of digital SLR cameras sold today are Nikon and Canon models. As a result of their dominant position, have a plethora of lenses and accessories for these two camera bodies, what an excellent choice and great prices. These include: lenses, which are fast, light, optical image stabilization, autofocus and a night vision camera modules and otherAccessories that enhance the overall performance of the camera. Note that there are other camera manufacturers offer good products worthy of consideration for some applications, only Nikon and Canon cameras mentioned in this article.

Pixel: How many? How big?

The most obvious change in the evolution of digital SLR cameras have pixels, the steady increase in the number of make-up, the image sensor. Commercial cameras have seen the number of pixelsthe camera sensor to grow twenty times as many years, 1MP (1 million pixels) in 1990 to about 20MP in 2010.

There are cameras with larger sensor array better? Not necessarily. Depends on demand. There is more to understand the effects of array dimensions as large as only the number of pixels. There are two other important issues in this case: the physical size of the array of sensor and the physical size of the pixels.

Impact of the physical size of the array

L 'DSLR first time, the image sensors) were significantly smaller than the traditional 35 mm film formats (36mmx24mm. As shown in Figure 2, digital imaging sensors are now available in several different sizes. The image sensors smaller are about 2 / 3 the size of 35mm. They are both Canon and Nikon (known as the DX format) (referred to in APS-C) are available. Canon also offers cameras with a slightly larger sensor, APS-H , which is about 28×19mm it is. TheMost sensors (known as "full-frame") are now available from both Canon and Nikon and have the same size as the original film SLR sensor, 36mmx24mm.

For cameras with an image sensor that is smaller than full-frame, a digital crop factor was defined (also known as focal length or magnification) to (43.3 mm can be calculated) the relationship between the size of 35mm on the diagonal of thecamera image sensor size. How should the focal length of term, multiply the focal length of the crop factor is, of course, the effective focal length of a lens that would produce the same field of view when used with a full frame camera. For the military photographer, the concept is seen with a crop factor of> 1 is usually an advantage. For viewing at a distance, a closer look is welcome and the crop factor gives photographers a boost infocal length, so that they frame more easily when the subject is far from filled. For example, the focal length multiplier for a Nikon DX format 1.5. With a 200mm lens on a Nikon DX format the same field ofview provide a 300mm on a full frame camera. But while there are benefits to viewing distance, the narrowing of the field of view is sometimes a disadvantage for photographers, when a wide field of view is desired. For example, a 24mm lens on a Nikon DX formatThe camera is in the same field of view as a 36 mm lens may be too narrow for the application required the use of expensive ultra wide-angle objectives, to deliver the desired field of view (16mm in this example). Of course, the cameras' image sensors, full-frame, the same size as 35 mm in size, not crop factor (crop factor is 1).

Effects of physical pixel size

To better understand the effects of pixel size, compare the performance of two cameras, which havethe same physical size but different numbers of array of pixels (pixels and sizes accordingly). For this example we want to compare the Nikon D3X (image sensor with 24MP full-screen) and Nikon D3S (full-frame image sensor with 12 megapixels). The D3X is the physical size of the pixels of about 6 microns and the pixels D3S, which are about 8.5 microns, about 40% larger. In this example, if the photographer military monitors at a distance, are the identification of objectsrelated to the number of pixels of destination. Thus, if the goal is the same one used on the two cameras are compared, the distance for the model with high resolution over the lower resolution camera. otherwise explained, to provide for the lower resolution camera on the same resolution, higher resolution camera with a 300mm lens, would be the lower resolution camera or a lens is 420 mm or the photographer would have to approach the target byabout 25% of the route.

As far as the resolution goes, smaller pixels are better and the advantage goes to the high-resolution camera, the lenses that are lightweight, easy to hold and, in essence, "faster" to use. Sorry, there are even smaller pixels is not always the best thing for a surveillance camera! All things being equal, because the pixels are smaller in size, but are also much less effective in the detection of light, resulting in less sensitivity of the camera. Pixelssensitivity associated with the area of the pixel is to be so in our comparison of pixels that are the provision of 40% larger, probably twice the sensitivity (1.4×1.4 ~ 2). This means that the sensitivity of the light itself requires further liberalization or shutter speed will double. Alternatively, have the camera's processor, the signal gain. (More details in the next section). Nikon apparently no one knows that for some photographers, more resolution is not always better. The addition of pixels means that theysmaller and smaller the pixels the lower the sensitivity to light. Fortunately, the techniques of noise reduction has improved considerably in recent years, which increases the resolution, while the sensitivity approximately constant. So what if the current strategies used to reduce noise to an existing sensor without adding more pixels? This is certainly not what the design of the Nikon D3S determined, the 12.1MP resolution allowed them to increase the sensitivityCustomers who need them. For photographers who really need higher resolution, 24.5MP, Nikon D3X.

Low Light Photography

For the military photographer, some of the most difficult situations occur at night, when some 'ambient light, or scenes from a distance. Today's digital SLR cameras have unique features and accessories available to help photographers make the most of the night-imaging.

Aperture and shutter speed

L 'primary factors that affect the images in low light conditions is still essential for photography – aperture and shutter speed. For photography at night, because the depth is usually an important factor, it makes sense, an objective which has a maximum aperture range. The choice of a target for a particular application can be as important as the choice of DSLR camera. It is possible that the Nikon or Canon body due to specific objectivesThat are available. Similarly, the exposure time for night shots should be as long as possible, but still to avoid blurring the observation set of moving objects or camera shake.

Enhanced ISO – More gain with handicaps

Aperture and shutter speed directly influence the amount of light falling on each pixel of the image sensor and touching the sensor output electrical signal. In addition, digital SLR cameras allow the photographer to adjust the gain (ie gain)the sensor output electrical signal. (This is very different from the ISO definition for film cameras, which has been adapted for film speed to be adjusted). For DSLR cameras, the profit is increasingly better signal. Like all electrical circuits are image sensors are not perfect, and the image signal, but also produce some noise in the form of unwanted random errors in the signal chain. The noise in digital images appears as patches of grain or wrong color. To avoid tooyou put a lot of noise, the photographer-night, the camera's ISO to a value high enough to illuminate the image and maintaining acceptable levels of noise. Today, the maximum is usually 1600, but some cameras produce images perfectly usable at ISO 3200, 6400 or 12800.

In addition to the standard ISO settings, digital cameras are now leading noise suppression on digital images. As a result some additional revenue is up to the camera enabled, sometimes a step(H1), and in fact, twice the maximum ISO setting, but also a short walk (H2, 4 times) and three (H3, 8 times). The ISO setting is now extended on most digital SLR cameras. For example, to allow both the Canon EOS-1D Mark IV and Nikon D3S three levels of the extended ISO, the ISO setting to an equivalent of 102,400 results! It 'important to note that the images are set as this is generally a high level of noise and significant deterioration of the resolutionbecause of noise reduction techniques. Of course, as with all electronic circuits with high gain noise significantly degrade image quality.

Night Vision Modules

Today's digital SLR cameras allow the photographer control over aperture and shutter speed ISO settings allow the collection of excellent images for use in low light conditions, the otherwise possible. But in many situations, such as photographing scenes at night with little ambient light, ortelephoto lens at night at a distance, digital SLR cameras simply do not have enough sensitivity for shooting enough. In these situations, night vision equipment modules, the ideal complement.

Night vision accessory module fits between the lens and SLR camera body. Just remove the lens, attach the night vision module for the camera and put the 'target. AstroScope night vision modules are designed tocombinations are perfectly integrated with the camera and lens, maintaining all electronic functions of the camera lens (with image stabilization) on the camera sled. The night vision module is powered directly from the camera with power and off easily by opening the shutter.

The night vision module has an automatic control of gain, that its performance is ensured relatively constant. As the camera settings, are relatively easy toConfigure as follows:
• Exposure time 1 / 30 sec (no need to make it shorter, because the amplifier has its own GAL)
• Manual iris (lens, so that the F-stop setting stays put)
• F-stop at maximum aperture (warning light)
• ISO setting to a noise level of the camera is not shown, adapted
• Auto Focus Off (image intensifier scintillation autofocus sensors can be confused)
• Image stabilization on (to maintain stable images duringThe camera is in motion)

Summary

The development of digital SLR (DSLR) continues with features that impressive speed, with a uniform. For the photographer or the military police, the new models of digital SLR cameras and new features can be very useful for portable monitoring and field to collect information, both at night and during the day. Some advantages are:

• Image sensor array to continue to grow in physical size, now withFull-frame format is the traditional film SLR cameras.

• Pixel thick, even more, the resolution and the ability of digital SLR cameras to recognize a total of more than recognize and identify objects at a distance.

• Improved sensitivity of the cameras, cameras with ISO settings up to 12,800 natives.

• night vision modules are available for the light intensity of 8-10 f-stop, while they continue to improve with the electronic controls lenscontinue to work, even the image stabilization.

DSLR continue modules are highly valued by military photographers view other styles because of their large camera sensors, resolution, sensitivity and versatility in the field, the availability of a wide range of lenses and night.

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How would you like to put the lenses in the best photographers on your new DSLR, so that one side is taken in almost every situation, right? Now you can. To learn more about DSLR lens Sigma 18-250mm.

When most photographers buy digital SLR camera that first, they just assume that the objective, the camera comes with the best they can. It is not necessarily so.

What is commonly known as the kit lens to know, whatmarketed with the camera, a lens is there is no reasonable doubt. However, you should do yourself a disservice if you do not want to think a little 'research and what are your needs before you take the plunge and invest in a lens that can not necessarily be right for your needs.

Consider what your needs are. First of all, you want to be in a position of a wide range of shots to take a wide range of focal lengths means.

You can also maintain a uniformCamera lens when you move up or travel.

Depending on your budget, you can look for the absolute best lens for the money to auction without your first child is born.

The Sigma 18-250mm lens fills the bill for all these criteria. It has a wide range of focal length, so you can take wide angle shots such as landscapes or cityscapes at one end. It has a zoom range will receive up to 250 mm on the long series of shots as the shots of naturein kind or in a local zoo.

The picture quality is very good of those who rated camera test. The build quality is also rated very well.

It 's fast, concentrated because of the Hyper-Sonic Motor.

It should not be of high quality glass with a light distortion in the camera through the lens.

On the negative side, the Sigma 18-250mm lens is not as fast as some of its more expensive competitors. Has an aperture of f/3.5-f/6.0. What this meansis that a lens with a wider opening aperture, f/2.8 for example, would have a much faster shutter speeds, making it a better target for shooting in low light conditions. Of course, if you want a lens with a 2.8, you must pay much more for it.

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Lowepro, known for its quality and innovation when it comes to scholarships since 1967, created the Adventura shoulder bag 170 for DSLR cameras.

The Adventura Lowepro DSLR bag 170 is for those who prefer the comfort of protection, compact and on your camera and other equipment. The outer layer of the bag is made of 600D polyester and 600D ripstop that the security order in liquids and other objects that could damage your valuables ago. The interioris made of soft brushed tricot fabric that has burned its shape for a number of years, plus an orange highlights the camera's easy to see and draw out of the bag did.

It has many features the efficiency of the rain cover to protect the contents of the zip, snap closure, a quick access pocket inside and unpacked pleats and side pockets for added protection and quick access to content bag. There was also widespread paddedHandle, a removable and adjustable shoulder strap to slip a lot more relaxed to take the purse and the other alternative to the fitting with the style.

The bag is Adventura three different sizes of accessories to accommodate the most popular DSLR cameras and camcorders, plus: Adventura 120, 140 and 170 is the only black, while the interior is upholstered in a burnt orange color contrast. Only the model 170 has two loops that create added valueCarry option.

You can purchase this DSLR bag classic for only $ 21.99 at Amazon

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Before I became a professional photographer, I did not have much knowledge of cameras and their accessories. I mostly used point and shoot camera to take photos and set everything to auto for simplified operation. I thought my pictures were okay for most occasions until the day I received my order of Canon 20D. Though that camera is a product of year 2004, it is still a very useful tool for me today.

There are huge differences between the little point and shoot cameras and DSLRs. I’m just highlighting some key differences.

1. Image quality.

DSLRs have much better images quality over the point and shoot camera. I’ve owned Sony P-1, Canon PowerShot SD400, and Canon SD870. All of these little guys capture good images only to some extend. When compare an images side by side with ones taken from my Canon 20D, you will notice the differences. Photos are much sharper from Canon 20D. The other DSLR I have also produce awesome image qualities especially the pro level cameras.

2. Responsiveness & Performance.

Point and shoot cameras are not designed to be fast and responsive. Lots of time, the images were taken a couple of seconds after the shutter was pressed. This increases the chances of missing important moments. It is especially true for candid shots. Most of the recent DSLRs can start and operate instantly. Shutter lags are only one tenth of a second or better.

There is no comparison of continuous shooting capability between DSLRs and point and shoot camera. While pro level DSLR, such as Canon 1D series can records up to 10 images per second, most of point and shoot cameras struggle to get 2 or less images in a second. There is no substitute of using DSLRs in a sports event.

3. Interchangeable lens

All the point of shoot camera has only one build in lens; thus limiting its ability to shoot at varying focal length. Although some of the DSLR like point and shoot camera can reach 10x zoom, drawbacks of the image quality and performance cannot be overcome. Large lens selections are available for DSLRs of all major camera brands. You can choose the lens to suit your needs. You may buy budget line lens at beginning, and gradually switch to more expensive lens when your skills improve and shooting style change. At the time of camera upgrade, the lens you’ve accumulated in years are still useable.

4. Easy of use

This is the area that point and shoot camera may have the upper hand. Complex menu setting and control system can easily scare camera novices away. My mom was never a fan of my DSLRs, and thought they were not designed for seniors like her. She is much happier with the little Canon SD400 for its simplicity. Only a click of a button, she got the image taken.

5. Cost and weight

When you have a better product, you normally expect to pay more. This is true too when it comes to camera. DSLRs are generally much better built with better components and software. While price range of majority of the point and shoot cameras is between $100-$500, DSLRs can cost up to $8000 for the top pro model. My workhorse Canon 1Ds Mark II and Canon 1Ds Mark I Cost $8000 when they were first released. When added with pro lens, flashes, and other accessories, the equipment cost can reach $15,000-20,000 easily. Pro level cameras are definitely not someone’s toy. Their hefty price tag can only be justified if they are put to commercial use to make money for their owners. With the sagging economy, plenty of photographers are struggle just to recover their equipment investment.

My camera bag weights about 30-40 lbs when fully loaded with camera and lens. Carrying that bag around should for several hours wear me out quickly. Some of the point and shoot camera, such as Sony TX series can easily slip into your shirt pocket.

I hope that I’ve summarized the major differences between DSLR and point and shoot cameras. Which one to purchase will be determined by how you want to use it. If you have specific questions regarding a model, please feel free to drop me an email. I will do my best to answer your questions when I’m free. You can also look at the images on my website to get some feel about what pro camera can create.

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One of the popular DSLR camera bag on the market today, Jo Totes offers ladylike bags for females called Missy.

Ladies can now carry their cameras, lens, flashes and other accessories with ease on a daily basis, thanks to Jo Totes DSLR bag. Bring it along for your photo shoot or simply when travelling.

If you want to look pretty and elegant, you can go with their camera tote – Missy. It is a contemporary DSLR bag with a taste of classic features. It has a couple of large external pockets with magnetic snaps and retro feel. It includes a beautifully stitched belt, sturdy metal zipper with different lively colors.

The exterior material used in this camera bag is lavishly smooth, water-repellent high quality artificial leather in blue, black or pink variations. Meanwhile, the internal fabric is made from cotton in color black, pink or white options.

This DSLR bag has padded foam sewn into the bottom and each corners for added protection. It also has an adjustable and removable body strap. Its metal zipper is tough and smooth. Further, Jo Totes Missy camera bag has a 9″ drop from your shoulder. Its dimension is 16″ in width x 11 1/2″ in height x 6 1/4″ deep.

Please note however that Jo Totes are made for ladies to bring their camera, lens and other items daily. Their bags are not created though for too much load of luggage or equipments.

You can buy Jo Totes DSLR camera bag, Missy, on their official website for $94. It is available in blue and pink colors (black is currently sold out).

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A new Nikon D80 body sitting beside a recently-opened box on your table is one of the most amazing sights to behold. You’d have to get one for yourself to understand the sensation.

A digital SLR camera on its own, however, is pretty much next to useless – you’d need to buy a lens (or two, three or more) in order to start taking photographs with it. The only problem is, there must be something like 1,013 lenses out there to choose from, at least, it starts feeling like it after you spend hours, if not days, thumbing through catalogs and spec sheets, browsing forums, reading debates and arguments over which lenses to buy (or not to buy) and getting advice from one friend too many, other enthusiasts and professionals in the field.

All you’d really like to know now is, what are the best lenses for your Nikon D80?

I have some good news for you – if you’re simply coming into SLR photography for personal pleasure, as a pastime or simply to get better pictures for sharing with your family and friends, I can quickly list down 3 lenses you can get right now without having to bust your bank account. From the selections below, simply select lens #1 only, #2 only, #3 only, #1 & #2 or #1 & #3 depending on your budget.

Nikon Lens #1 – The Nikkor 50mm f/1.8D AF lens. For $100 or less, there is no other lens out there that can give you sharper images for the money. You can buy $400 lenses which give marginally sharper pictures, but the 50mm f/1.8 lens has the highest sharpness / dollar-spent ratio in the industry. Its maximum 1.8 aperture also allows you to take great-looking portraits with a blurred background, the kind you see in some professional shots. It’s small, it’s light, it’s great for taking photos in dimly-lit locations where flash is not allowed.

Nikon Lens #2 – The Nikkor 18-70mm f/3.5-4.5G ED-IF AF-S DX Zoom lens. That was a mouthful, wasn’t it? Yes, this is a zoom lens, unlike the 50mm f/1.8 mentioned above. Meaning you can take big-group shots in tight locations and include everybody into the picture, and it also allows you to go to 70mm for relatively tight portrait shots. Hunt around for $320-ish prices, and not a penny more, at your camera stores. Before the availability of Lens #3 that I’m about to mention, this glass was a firm favourite among many casual photographers who shoot travel and vacation images.

Nikon Lens #3 – The Nikkor 18-200mm F/3.5-5.6g IF-ED AF-S DX VR.This lens is so hot. How so? Well, it’s hot enough to be out-of-stock at virtually all stores, but you can find one if you’re a walk-in customer, and Nikon is bending backwards to ramp up production to meet demand. Why is it hot? Well, because it’s the only lens on the market offering such a huge zoom range, with fast autofocus action and even a VR mechanism that helps you get steady shots without the use of flash. You’ll appreciate how useful the VR is if you’re in a museum that doesn’t allow you to use flash and tripods – the new version of the VR technology Nikon made available on this lens allows you to eliminate handshake at ever slower shutter speeds which beats out the VR capability in more expensive, but older lenses. $750 is all you need to own this lens which you can take 90% of your shots with.

So, there you have it, the lowdown on which lens to get for your D80. Are there better lenses to be had? Of course, but you’ll be paying through the nose for those, and the high prices can only be justified if you have special requirements in your photography pursuit, or if you’re an enthusiast who cannot tolerate not having the absolute best lenses on hand. Be careful though, lusting over pricier and bigger lenses without knowing how to value or profit from them is only going to mean more money down the drain.

Good luck in your decision, and enjoy an amazing photographic experience with your new D80 and lenses!

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